First, (maybe, perhaps, if I remember) go buy a lottery ticket, pick some winning numbers, win, and then figure out how to spend the money. Joy and I discussed spending mega millions at length this morning. It's a bucket list of sorts. Here are some of the highlights.
Sarah:
1. go to Paris
2. go to a friend's wedding in The Netherlands
3. go to a friend's wedding in California
4. visit the erupting volcano on the Big Island in Hawaii
5. re-model the house which would include:
a. new kitchen
b. new plumbing
c. new bathroom
d. new windows
6. go to Aspen
7. visit all family members
8. walk the pilgrimage to Santiago de Compostela
9. hire a maid and
10. personal chef
11. pay all educational expenses for our daughters
12. new car for Reese
13. see the migrating monarch butterflies in Mexico
14. host a big party at Saint Arnold Brewery
(OK, I might not hire a maid and personal chef, but it would be nice if someone else cleaned the bathroom every now and then.)
Joy:
1. go to school
2. new bicycle
3. reliable car
4. buy lots of outdoor equipment such as
a. rock climbing gear
b. camping equipment
c. hiking gear
5. buy a lake house
6. go skydiving and
7. bungee jumping
8. buy a boat
9. and a jet ski
10. donate money
11. buy new clothes
12. give money to family members
13. decide where to live and buy a house there, probably in Austin
These are dreams. With hard work, dedication, and perseverance, most of these can actually come true. But if a bunch of extra money fell in our laps RIGHT NOW, these are some of the things we would do without having to sweat the small (big) stuff. How about you? How would you spend your mega millions?
Friday, March 30, 2012
Thursday, March 22, 2012
Bueller
I used to think that I had an unlimited supply of creativity. How silly of me. It's quite possible that once the creativity has been used there's nothing leftover for....anything. I can't think of what to paint, what to write, what to cook. Solving problems is useless. I'm at a complete impasse. Is it just me? Is it the weather? Does it have something to do with being 48? Any ideas? Because that's what I could use -- a good idea. Or a bad one -- whatever it takes to get out of this creative slump.
Monday, March 19, 2012
Friday, March 09, 2012
In Review
Several things I'm doing or have done, in no particular order.....
Besides being a Pulitzer Prize winning author, Eudora Welty was a friend and neighbor of my grandmother and her sister. In a small town like Jackson, Mississippi, familiarity of such sort could barely be helped. It's not often that I get back to Mississippi. When I do, the time is filled with eating and visiting, as all Mississippians are wont to do. This go around, though, I had an agenda. And on that agenda was a tour of Eudora Welty's home. (It just so happens that my parents live spittin' distance from her house.) The docents wouldn't let us take photos inside the house, which is almost perfectly restored, even down to the books scattered on sofas and tables all over the house, not unlike Choctaw Books! (Must be a Mississippi thing.) This is me, rocking on her side porch, getting lost in the dreams that seam to float through the air in Mississippi.

What is it about that state? Maybe creativity is fostered because the whole state revolves around relationships. Is that possible? Mississippians could care less what you know, it's all about who you know. Who is your mama? What's your mother's maiden name? And, oh, John is your cousin? How about that! My neighbor's son is your son's roommate at Ole Miss? You know Lou Ann? In Mississippi, it's always a small world.
Aw, it's so sad, the Byzantine Chapel at the Menil Collection closed its doors last weekend, to send the redeemed frescoes it so beautifully housed back to the Greek Orthodox Church of Cyprus.

Reese and I happened upon the final divine liturgy last weekend, and gloriously shared in communion celebrated by, and this is a big title, His Eminence Archbishop Demetrios of America Primate of the Greek Orthodox Church in America. It was a particularly moving experience -- more than once it brought tears to my eyes. Because someone else said this much more eloquently than I....
There was absolutely no reason to paint this side cabinet other than I was ready for a change.

Also, I've been working on a commission all week. No photos, yet, since it's to be a surprise for someone. It's coming along nicely, though. Better get back to it.
Besides being a Pulitzer Prize winning author, Eudora Welty was a friend and neighbor of my grandmother and her sister. In a small town like Jackson, Mississippi, familiarity of such sort could barely be helped. It's not often that I get back to Mississippi. When I do, the time is filled with eating and visiting, as all Mississippians are wont to do. This go around, though, I had an agenda. And on that agenda was a tour of Eudora Welty's home. (It just so happens that my parents live spittin' distance from her house.) The docents wouldn't let us take photos inside the house, which is almost perfectly restored, even down to the books scattered on sofas and tables all over the house, not unlike Choctaw Books! (Must be a Mississippi thing.) This is me, rocking on her side porch, getting lost in the dreams that seam to float through the air in Mississippi.
What is it about that state? Maybe creativity is fostered because the whole state revolves around relationships. Is that possible? Mississippians could care less what you know, it's all about who you know. Who is your mama? What's your mother's maiden name? And, oh, John is your cousin? How about that! My neighbor's son is your son's roommate at Ole Miss? You know Lou Ann? In Mississippi, it's always a small world.
Aw, it's so sad, the Byzantine Chapel at the Menil Collection closed its doors last weekend, to send the redeemed frescoes it so beautifully housed back to the Greek Orthodox Church of Cyprus.
Reese and I happened upon the final divine liturgy last weekend, and gloriously shared in communion celebrated by, and this is a big title, His Eminence Archbishop Demetrios of America Primate of the Greek Orthodox Church in America. It was a particularly moving experience -- more than once it brought tears to my eyes. Because someone else said this much more eloquently than I....
"At the heart of the Menil Foundation's dedication to the Lysi frescoes is the idea of stewardship: the responsible management of something entrusted to one's care for a period of time."Brilliantly said. So much to take from that. Reminds me of the little amount of time we had to guide our daughters before they left home. Also, can't help but think of personal stewardship toward gifts and talents to which God has entrusted me.
There was absolutely no reason to paint this side cabinet other than I was ready for a change.
Also, I've been working on a commission all week. No photos, yet, since it's to be a surprise for someone. It's coming along nicely, though. Better get back to it.
Friday, March 02, 2012
Check Out These Books
There's almost nothing better in the world than the smell, feel, and look of dusty old books. One of my first and fondest memories was visiting my dad's office in Centreville, Mississippi. Dad was a small town preacher and his office shelves were stacked with impressive looking books. Walking in, I would deeply inhale, figuring that the books and my dad were inextricably joined, and since I loved my dad so much, I had better love books, too. I have loved books ever since.

On the recommendation of an author friend of mine, I visited Choctaw Books on a recent trip to Jackson, Mississippi. (I was there visiting my parents and little sister.) Stepping inside was like being whisked into the world of Harry Potter -- it felt like the books were alive, magical, part of a story I hadn't finished reading. At first I was spellbound, then I laughed in delight.

Some books were stacked neatly on the shelves, like the religion section (in the top photo) and the great literature room, neatly alphabetized by author. But mostly, the shelves were a tumble of seeming disorder. Don't be fooled. The owner knows exactly where everything is....OK, maybe not exactly, but more or less generally knows where to find what.

To say that I was enchanted is an understatement. Even though there was an actual mystery section of the store, every corridor, every room was a mystery waiting to be discovered, a page waiting to be turned....and read.

If you ever are in the Jackson area and appreciate understated adventure, I highly recommend a trip to Choctaw Books. It's located at 926 North Street, between the Belhaven area and downtown. If you are familiar with the area at all, it's about a block or so from the old Jitney 14 (pronounced foe-teen).
On the recommendation of an author friend of mine, I visited Choctaw Books on a recent trip to Jackson, Mississippi. (I was there visiting my parents and little sister.) Stepping inside was like being whisked into the world of Harry Potter -- it felt like the books were alive, magical, part of a story I hadn't finished reading. At first I was spellbound, then I laughed in delight.
Some books were stacked neatly on the shelves, like the religion section (in the top photo) and the great literature room, neatly alphabetized by author. But mostly, the shelves were a tumble of seeming disorder. Don't be fooled. The owner knows exactly where everything is....OK, maybe not exactly, but more or less generally knows where to find what.
To say that I was enchanted is an understatement. Even though there was an actual mystery section of the store, every corridor, every room was a mystery waiting to be discovered, a page waiting to be turned....and read.
If you ever are in the Jackson area and appreciate understated adventure, I highly recommend a trip to Choctaw Books. It's located at 926 North Street, between the Belhaven area and downtown. If you are familiar with the area at all, it's about a block or so from the old Jitney 14 (pronounced foe-teen).
Monday, February 27, 2012
Wednesday, February 22, 2012
Cub Scouts
Last weekend, a troop of cute-as-could-be cub scouts came to visit me so they could earn an art merit badge. The young men were delightfully engaging and well mannered. Thank you, Troop 505 Den 2. (Is that how you say it?)
Last year, several groups came touring here for the same reason, to earn art merit badges. I wonder if this will become an annual thing?
Thursday, February 16, 2012
The View from Rosa's Window
The Amazing Reese and I were having a leisurely Saturday breakfast with our friend Rosa at her apartment when I was completely and utterly enchanted by the view. I was also enchanted by good companionship, delicious blueberry oatmeal pancakes, and the all important indispensable morning cup of coffee.

This painting is a very good example of a style I define as "fuzzy realism". This isn't an exact copy of what was there, but rather the essence of the building and the clear, sunny day. Ideally, some of the allure and charm that I felt that morning is coming through on the canvas, too.
There are no exact edges in the painting for the very reason that I can't SEE clean perfect lines, not even when wearing corrective lenses....which I have a tendency to misplace, my glasses that is.....which is one of the reasons for the name of this blog. What drew me to the view, and the reason I wanted to paint it were the colors; the yellow wall against the Texas blue sky and the harsh shadow on the building. Silly me, I thought it would be easy to draw and paint. It wasn't. I drew it several times, wiping it off in each instance and nearly gave up on the whole idea.
It's a 22" x 28" oil on linen.
This painting is a very good example of a style I define as "fuzzy realism". This isn't an exact copy of what was there, but rather the essence of the building and the clear, sunny day. Ideally, some of the allure and charm that I felt that morning is coming through on the canvas, too.
There are no exact edges in the painting for the very reason that I can't SEE clean perfect lines, not even when wearing corrective lenses....which I have a tendency to misplace, my glasses that is.....which is one of the reasons for the name of this blog. What drew me to the view, and the reason I wanted to paint it were the colors; the yellow wall against the Texas blue sky and the harsh shadow on the building. Silly me, I thought it would be easy to draw and paint. It wasn't. I drew it several times, wiping it off in each instance and nearly gave up on the whole idea.
It's a 22" x 28" oil on linen.
Monday, February 06, 2012
Friday, February 03, 2012
Gray Matters
Taking care of business:
1. Putting the finishing touches on Texas Grey, a 22" x 28" oil on linen. I actually started this painting last summer. Don't know why it took so long to complete. (?) Oh, snap. Yes, I do! One of my artist friends recently gave me a tip on how to mix greys. I tried her suggestion and voila! The painting was suddenly finished.

2. Painting the edges black on recent paintings. Looking at these three portraits, I can see stylistic similarities. For an artist, that's a good thing. Part of the similarities are due to the fact that when the models posed they were in the studio, which has this muted greenish blue wall, hence the background color.

3. Adding finishing touches to this still life, a quince, 9" x 11" oil on canvas. When I first painted this, it didn't have the middle stamen part because I couldn't see it. Yes, my eyesight is not great. I am not a fan of painting details, the biggest reason being that I can't see them.

4. Painting the 1/2" plywood base for the glass mosaic table top I'm starting. This is the "water" under painting for the mosaic that will be created on top of this. Does that make sense?
1. Putting the finishing touches on Texas Grey, a 22" x 28" oil on linen. I actually started this painting last summer. Don't know why it took so long to complete. (?) Oh, snap. Yes, I do! One of my artist friends recently gave me a tip on how to mix greys. I tried her suggestion and voila! The painting was suddenly finished.
2. Painting the edges black on recent paintings. Looking at these three portraits, I can see stylistic similarities. For an artist, that's a good thing. Part of the similarities are due to the fact that when the models posed they were in the studio, which has this muted greenish blue wall, hence the background color.
3. Adding finishing touches to this still life, a quince, 9" x 11" oil on canvas. When I first painted this, it didn't have the middle stamen part because I couldn't see it. Yes, my eyesight is not great. I am not a fan of painting details, the biggest reason being that I can't see them.
4. Painting the 1/2" plywood base for the glass mosaic table top I'm starting. This is the "water" under painting for the mosaic that will be created on top of this. Does that make sense?
Tuesday, January 24, 2012
A Surface Issue
Long time friend and fellow artist, Lisa, graciously agreed to come over to the house and give me a tutorial on how to use the glass cutting tool that she recommended in order for me to make a glass tile mosaic.

Basically, I learned that it's going to take a LONG time to finish this project, especially considering that the surface area I'm working on is cardboard.....not that there's anything wrong with cardboard, it's just that it isn't conducive to permanency as a table top.

Originally, I thought that quarter inch plywood would be the right thickness for the table top, but it is now apparent that half inch plywood will be sturdier and therefore better for this. In the meantime, tile color selection for the table top is well under way, in spite of other commitments.....which is interesting, because EVERYONE said that once our kids were grown, that time would be all mine. It's a lie. OK, theoretically time is mine and always has been, but in actuality, time is for walking the dog, enjoying the neighbors, cooking, cleaning, vacuuming, laundry, winding down at the end of the day, and occasionally, there is discretionary time to devote in the art studio. Maybe I need a course in time management? Or maybe, this is what life is supposed to be. Yep, that's what I'm going with, because all in all, this life I'm living with the Amazing Reese here on Addison Road is pretty sweet.
Basically, I learned that it's going to take a LONG time to finish this project, especially considering that the surface area I'm working on is cardboard.....not that there's anything wrong with cardboard, it's just that it isn't conducive to permanency as a table top.
Originally, I thought that quarter inch plywood would be the right thickness for the table top, but it is now apparent that half inch plywood will be sturdier and therefore better for this. In the meantime, tile color selection for the table top is well under way, in spite of other commitments.....which is interesting, because EVERYONE said that once our kids were grown, that time would be all mine. It's a lie. OK, theoretically time is mine and always has been, but in actuality, time is for walking the dog, enjoying the neighbors, cooking, cleaning, vacuuming, laundry, winding down at the end of the day, and occasionally, there is discretionary time to devote in the art studio. Maybe I need a course in time management? Or maybe, this is what life is supposed to be. Yep, that's what I'm going with, because all in all, this life I'm living with the Amazing Reese here on Addison Road is pretty sweet.
Wednesday, January 18, 2012
Patronage
Last week, a good friend gave me a Rembrandt Soft Pastel Wood Box Set of 225 Assorted Colors. That means it's time to learn how to use pastels for more than just street art.

She gave me some used paint brushes and paints, too, plus turpentine and canvases; everything an artist needs to work. It's a huge blessing. Now I should have enough usable supplies to last a few months without having to replenish anything. So, I spent the day yesterday cleaning the studio, and the brushes, and taking inventory (of sorts) of the supplies in preparation of an impending flurry of artistically creative activity. Yay!
This is the same friend who, in the past, gave me a choice easel just as I was shopping, and trying to justify the expense of buying something so nice. God bless you, Debra.....and thanks.
She gave me some used paint brushes and paints, too, plus turpentine and canvases; everything an artist needs to work. It's a huge blessing. Now I should have enough usable supplies to last a few months without having to replenish anything. So, I spent the day yesterday cleaning the studio, and the brushes, and taking inventory (of sorts) of the supplies in preparation of an impending flurry of artistically creative activity. Yay!
This is the same friend who, in the past, gave me a choice easel just as I was shopping, and trying to justify the expense of buying something so nice. God bless you, Debra.....and thanks.
Saturday, January 14, 2012
The Final Countdown....Recipe
OK, because some very enthusiastic friends encouraged me use the abundance of lemons we had to make limoncello, and because we all wanted our fair share of the final product, we started with three 750 mL bottles of 190 proof Everclear and the zest of 36 lemons, or 12 lemons per bottle.
We soaked the lemon zest/Everclear mixture for I don't know, maybe three weeks (?), during which time a not insignificant amount of alcohol evaporated from the bowl, which left us with 8 1/2 cups of liquid, after removing the zest from the mixture.
We added 2 1/8 cups of water to make it 150-ish proof instead of the very strong 190 proof, like it was the last time making limoncello.
We toned down the addition of simple syrup as well, the proportions of which were 5 1/2 cups of sugar and 6 1/2 cups of water. To make simple syrup, heat the sugar and water on the stove until the sugar dissolves. Wait for it to cool to room temperature before adding it to the lemon zest infused Everclear. Here, one of my enthusiastic helpers, James, demonstrates this step.

Look at all the limoncello we made! It's definitely better than my last batch, not quite as sweet and not as strong of an alcohol bite. The end result is 35% alcohol by volume or 70 proof. One third of this belongs to the Reese Hazel family, so come on by and I'll serve us a drink or two.....or three.
We soaked the lemon zest/Everclear mixture for I don't know, maybe three weeks (?), during which time a not insignificant amount of alcohol evaporated from the bowl, which left us with 8 1/2 cups of liquid, after removing the zest from the mixture.
We added 2 1/8 cups of water to make it 150-ish proof instead of the very strong 190 proof, like it was the last time making limoncello.
We toned down the addition of simple syrup as well, the proportions of which were 5 1/2 cups of sugar and 6 1/2 cups of water. To make simple syrup, heat the sugar and water on the stove until the sugar dissolves. Wait for it to cool to room temperature before adding it to the lemon zest infused Everclear. Here, one of my enthusiastic helpers, James, demonstrates this step.
Look at all the limoncello we made! It's definitely better than my last batch, not quite as sweet and not as strong of an alcohol bite. The end result is 35% alcohol by volume or 70 proof. One third of this belongs to the Reese Hazel family, so come on by and I'll serve us a drink or two.....or three.
Friday, January 13, 2012
Glass, A Misdemeanor
This week, I borrowed a glass cutter and tried my hand at making drinking glasses from used wine bottles. Step one was scoring the bottles with the cutter.

Step two was soaking the bottles in ice water.

When the bottles were properly chilled, I took them out of the ice water and poured boiling water over them. The idea was that the rapid hot cold shock to the glass would break the bottle along the line that was scored with the glass cutter.

These are the best of the bottles that were cut. As you can see, it sort of worked, but in actuality didn't. "Sort of" isn't good enough for this project. There must have been over a dozen bottles/glasses that were even more dangerously jagged than these in the photo, which would make drinking from them most unpleasant.

Of course, drinking from these glasses was the goal, which obviously isn't going to happen. The project was fun, exciting, and tedious work with nothing to show for it in the end. Oh, well.
Step two was soaking the bottles in ice water.
When the bottles were properly chilled, I took them out of the ice water and poured boiling water over them. The idea was that the rapid hot cold shock to the glass would break the bottle along the line that was scored with the glass cutter.
These are the best of the bottles that were cut. As you can see, it sort of worked, but in actuality didn't. "Sort of" isn't good enough for this project. There must have been over a dozen bottles/glasses that were even more dangerously jagged than these in the photo, which would make drinking from them most unpleasant.
Of course, drinking from these glasses was the goal, which obviously isn't going to happen. The project was fun, exciting, and tedious work with nothing to show for it in the end. Oh, well.
Sunday, January 08, 2012
Bucket List
On our morning walk with the dogs, we noticed a crowd gathering where there normally isn't a crowd. Turns out that the crowd was preparing to see a 25 story building in the Houston Medical Center get blown up. How cool is that?! Honestly, how many opportunities does one have to see a building, expertly laced with explosives (implosives?) blow up just blocks from your home?
If I had ever taken the opportunity to write a bucket list, watching a building implode would definitely be on the list.
It was so exciting to see it in person! We heard two thundering booms before I turned on the camera. I was so excited that I forgot to zoom. The enthusiastic background commentary (hollering) is all courtesy of yours truly. Also, just after the video ends, we were engulfed in the debris from the building that was floating on the air. Somehow, I hadn't taken this into account. Other people left immediately after the building imploded, or were wearing surgical masks to protect them from the soot. That was probably a smart thing to do. Um, yeah.
If I had ever taken the opportunity to write a bucket list, watching a building implode would definitely be on the list.
It was so exciting to see it in person! We heard two thundering booms before I turned on the camera. I was so excited that I forgot to zoom. The enthusiastic background commentary (hollering) is all courtesy of yours truly. Also, just after the video ends, we were engulfed in the debris from the building that was floating on the air. Somehow, I hadn't taken this into account. Other people left immediately after the building imploded, or were wearing surgical masks to protect them from the soot. That was probably a smart thing to do. Um, yeah.
Thursday, January 05, 2012
Time + Focus =
It's a 32" x 40" oil on linen painting of some trees within walking distance of our house. The Amazing Reese and I sometimes sit at some cafe tables near these trees, have a drink, and talk about ideas, people we love, and events in our lives.
I started working on this painting last summer. It sat on my easel for months waiting, waiting, and waiting for me to figure out what to do with it. I'm glad it took this long to get it done. It wouldn't have looked like this if I had worked on it before now, and it would have frustrated me that it didn't look like what I envisioned, which I didn't even entirely know what that vision was until yesterday. It somehow became unlocked from the deep crevices of my brain.
This is it.
What a blessing it has been to paint again.
Juice in Time
It's been weeks since I've picked up a paintbrush. Thankfully, I'm back in the studio again, working on a painting that has been sitting unfinished on the easel since LAST AUGUST.

Apparently, instead of writer's block, I was experiencing some sort of artist's block. Do other artists experience this? Whatever happened, it's good to be on the other side of it, feeling excited about working in the studio instead of dreading it. Not that I was dreading it per se, it's just that life was abundant with other activities and responsibilities.....such that it was too full (?) to think of anything else creative. Is that possible? Well, whether it is or not, it sure seemed to have happened that way.
The Amazing Reese took care of one of my big responsibilities, and it freed up brain space and time, both valuable commodities if one wants to be creative. So, thankfully, yesterday was spent in the studio. Today will be, too -- yay! The creative juices are flowing again! Hallelujah!
Apparently, instead of writer's block, I was experiencing some sort of artist's block. Do other artists experience this? Whatever happened, it's good to be on the other side of it, feeling excited about working in the studio instead of dreading it. Not that I was dreading it per se, it's just that life was abundant with other activities and responsibilities.....such that it was too full (?) to think of anything else creative. Is that possible? Well, whether it is or not, it sure seemed to have happened that way.
The Amazing Reese took care of one of my big responsibilities, and it freed up brain space and time, both valuable commodities if one wants to be creative. So, thankfully, yesterday was spent in the studio. Today will be, too -- yay! The creative juices are flowing again! Hallelujah!
Tuesday, January 03, 2012
Lemon Aid
When life gives you lemons, make limoncello!
Because we (the Amazing Reese and I) have wonderful friends with a freakishly prolific lemon tree, it's time to make limoncello again. The first time making limoncello, it was rather strong, so this year, I'm tweaking the recipe.
This is stage one, peeling the lemons. In this part of the process, it's important to use only the zest from the peel, because the fleshy white part of the skin under the zest is bitter. It's the oils from the lemon zest that give limoncello its lovely yellow color and lemony flavor.

After zesting the lemons, we (enthusiastic helpers and I) soaked the lemon peels in grain alcohol (Everclear) for eight days. Last time, the 190 proof was a bit strong so I wanted to use 151 proof this go around. All the liquor store had was 190 proof, so the Amazing Reese calculated how much water to add to the Everclear to turn the 190 proof into 150-ish proof. One might say that he came to my lemon aid! (ha)
The eight days of soaking the lemon peels has passed, but I'm waiting until the very enthusiastic helpers return from an epic road trip before finishing the project.
Because we (the Amazing Reese and I) have wonderful friends with a freakishly prolific lemon tree, it's time to make limoncello again. The first time making limoncello, it was rather strong, so this year, I'm tweaking the recipe.
This is stage one, peeling the lemons. In this part of the process, it's important to use only the zest from the peel, because the fleshy white part of the skin under the zest is bitter. It's the oils from the lemon zest that give limoncello its lovely yellow color and lemony flavor.
After zesting the lemons, we (enthusiastic helpers and I) soaked the lemon peels in grain alcohol (Everclear) for eight days. Last time, the 190 proof was a bit strong so I wanted to use 151 proof this go around. All the liquor store had was 190 proof, so the Amazing Reese calculated how much water to add to the Everclear to turn the 190 proof into 150-ish proof. One might say that he came to my lemon aid! (ha)
The eight days of soaking the lemon peels has passed, but I'm waiting until the very enthusiastic helpers return from an epic road trip before finishing the project.
Wednesday, December 28, 2011
Holi-Daze
1. It's two O'clock, and I'm just now getting dressed for the day, not because I'm lazy....because I'm busy.
2. While our daughters are vacating, I'm taking care of their pets, two parakeets and a dog.
3. Walking two dogs at once is harder than it looks.
4. If one dog barks, they both do.
5. Doggie time out is a good thing.....for me.
6. The Christmas tree is long gone, but the ornaments are still sitting in a pile on the coffee table.
7. How many dishes can be made with all of this leftover turkey? Between turkey sandwiches, turkey soup, turkey pot pie, and turkey tetrazzini, I'm running out of ideas.
8. Perhaps the actual question should be, why do I always buy such a big turkey?
9. Who decided to put air bubbles in chocolate? All that means is there's less room for actual chocolate.
10. There has to be something else. Why can't I think of it?
11. (This one goes to eleven.) I'm blaming lack of concentration on excessive amounts of turkey, barking dogs, and air bubbles in chocolate.
2. While our daughters are vacating, I'm taking care of their pets, two parakeets and a dog.
3. Walking two dogs at once is harder than it looks.
4. If one dog barks, they both do.
5. Doggie time out is a good thing.....for me.
6. The Christmas tree is long gone, but the ornaments are still sitting in a pile on the coffee table.
7. How many dishes can be made with all of this leftover turkey? Between turkey sandwiches, turkey soup, turkey pot pie, and turkey tetrazzini, I'm running out of ideas.
8. Perhaps the actual question should be, why do I always buy such a big turkey?
9. Who decided to put air bubbles in chocolate? All that means is there's less room for actual chocolate.
10. There has to be something else. Why can't I think of it?
11. (This one goes to eleven.) I'm blaming lack of concentration on excessive amounts of turkey, barking dogs, and air bubbles in chocolate.
Friday, December 23, 2011
Twas Pidgin Style
Was da night bafo' Christmas, and all ova' da place
Not even da geckos was showin' their face.
Da stockings was hangin' on top da TV?
... ... ('Cause no mo' fireplace in Hawai'i)
Da kids stay all crashed, my old man too.
They leave all da work for you-know-who.
So me, I stay pickin' up alla their toys,
When - boom! - outside get only big noise!
I run to da window, I open 'em up,
I stick out my head and I yell, "Eh! Wassup?!"
An den, I no can ba-lieve what I seen!
Was so unreal, you know what I mean?
This fat haole guy get his reindeers in my yard!
An reindeers not housebroken, you know, as' why hard!
But nemmind, dis Christmas, so I cut 'em some slack.
Plus, had uku pile-ah presents pokin' outta his sack!
So I wait 'till he pau tie up his reindeer,
Then I yell out da window, "Huui! Brah, ova hea!"
An' I tell 'em first thing, when I open da door,
"Eh, Hemo your shoes! You going dirty my floor!"
He take off his boots, he tell, "You know who I am?"
I go, "Ho! From the smell, must be Mr. Toe Jam!"
He make mempachi eyes and he go, "Ho, ho, ho!"
By now, I stay tinking dis guy kinda slow!
He look like my Tutu, but little less weight,
And his beard stay so white, mo' white dan shark bait!
He stay all in red, specially his nose,
An get reindeer spit on top his nice clothes!
But him, he no care; he just smile at me,
And he start fo' put presents unda-neath da tree.
I tell 'em, "Eh, brah, no need make li'dat,
And watch where you step! You going ma-ke da cat!"
Den, out from his bag, he pull one bran new computah,
Choke video games, and one motorized scootah!
He try for fill up da Christmas socks too,
But had so much pukas, all da stuff went fall troo.
When he pau, I tell 'em, "Eh Santa, try wait!
I get plenty lef ‘ovahs, I go make you one plate!"
But he nevah like hang, he had so much fo' do;
Gotta make all Dem small kids' wishes come true.
So I wave 'em goodbye, an I flash 'em da shaka,
And I tell 'em, "Mele Kalikimaka!"
When he hear Dat, he stop an I telling you true,
He go, "Garans ball-barans! Merry Christmas to you!
Not even da geckos was showin' their face.
Da stockings was hangin' on top da TV?
... ... ('Cause no mo' fireplace in Hawai'i)
Da kids stay all crashed, my old man too.
They leave all da work for you-know-who.
So me, I stay pickin' up alla their toys,
When - boom! - outside get only big noise!
I run to da window, I open 'em up,
I stick out my head and I yell, "Eh! Wassup?!"
An den, I no can ba-lieve what I seen!
Was so unreal, you know what I mean?
This fat haole guy get his reindeers in my yard!
An reindeers not housebroken, you know, as' why hard!
But nemmind, dis Christmas, so I cut 'em some slack.
Plus, had uku pile-ah presents pokin' outta his sack!
So I wait 'till he pau tie up his reindeer,
Then I yell out da window, "Huui! Brah, ova hea!"
An' I tell 'em first thing, when I open da door,
"Eh, Hemo your shoes! You going dirty my floor!"
He take off his boots, he tell, "You know who I am?"
I go, "Ho! From the smell, must be Mr. Toe Jam!"
He make mempachi eyes and he go, "Ho, ho, ho!"
By now, I stay tinking dis guy kinda slow!
He look like my Tutu, but little less weight,
And his beard stay so white, mo' white dan shark bait!
He stay all in red, specially his nose,
An get reindeer spit on top his nice clothes!
But him, he no care; he just smile at me,
And he start fo' put presents unda-neath da tree.
I tell 'em, "Eh, brah, no need make li'dat,
And watch where you step! You going ma-ke da cat!"
Den, out from his bag, he pull one bran new computah,
Choke video games, and one motorized scootah!
He try for fill up da Christmas socks too,
But had so much pukas, all da stuff went fall troo.
When he pau, I tell 'em, "Eh Santa, try wait!
I get plenty lef ‘ovahs, I go make you one plate!"
But he nevah like hang, he had so much fo' do;
Gotta make all Dem small kids' wishes come true.
So I wave 'em goodbye, an I flash 'em da shaka,
And I tell 'em, "Mele Kalikimaka!"
When he hear Dat, he stop an I telling you true,
He go, "Garans ball-barans! Merry Christmas to you!
Wednesday, December 21, 2011
Tex Mex Christmas
'Twas the night before Christmas and all through the casa,
Not a creature was stirring and I wondered que pasa?
I was hanging the stockings with mucho cuidado
In hopes that old Santa would feel obligado,
To bring all the children, both buenos y malos
A nice batch of dulces and other regalos.
My brothers and I went to sleep in our camas
Some in long underwear, some in pijamas.
When out in the yard there arose such a grito
That I jumped to my feet like a frightened cabrito!
I ran to the window and looked afuera,
And who in the world do you think quien era?
Saint Nick in a sleigh and a big red sombrero
Came dashing along like a crazy bombero,
And pulling his sleigh, instead of venados,
Were eight little burros, approaching volados.
I watched as they came, and this fat little hombre
Was shouting and whistling and calling by nombre,
"Ay, Pancho! Ay, Pepe! Ay Cuca! Ay Neto!
Ay, Chato! Ay, Tono, Maruca, y Beto!"
Then standing erect with his hands on his pecho,
He flew to the top of our very own techo.
With his round little belly like a bowl full of jalea,
He struggled to squeeze down our old chiminea.
Then huffing and puffing, and a little cansado,
He picked up a bag that looked so pesado,
He filled all the stockings with lovely regalos
For none of the niños had been very malos.
Then chuckling aloud, seeming very contento,
He turned like a flash and was gone like the viento.
I heard him exclaim -- and this is verdad
"Merry Christmas a todos...Feliz Navidad!"
Not a creature was stirring and I wondered que pasa?
I was hanging the stockings with mucho cuidado
In hopes that old Santa would feel obligado,
To bring all the children, both buenos y malos
A nice batch of dulces and other regalos.
My brothers and I went to sleep in our camas
Some in long underwear, some in pijamas.
When out in the yard there arose such a grito
That I jumped to my feet like a frightened cabrito!
I ran to the window and looked afuera,
And who in the world do you think quien era?
Saint Nick in a sleigh and a big red sombrero
Came dashing along like a crazy bombero,
And pulling his sleigh, instead of venados,
Were eight little burros, approaching volados.
I watched as they came, and this fat little hombre
Was shouting and whistling and calling by nombre,
"Ay, Pancho! Ay, Pepe! Ay Cuca! Ay Neto!
Ay, Chato! Ay, Tono, Maruca, y Beto!"
Then standing erect with his hands on his pecho,
He flew to the top of our very own techo.
With his round little belly like a bowl full of jalea,
He struggled to squeeze down our old chiminea.
Then huffing and puffing, and a little cansado,
He picked up a bag that looked so pesado,
He filled all the stockings with lovely regalos
For none of the niños had been very malos.
Then chuckling aloud, seeming very contento,
He turned like a flash and was gone like the viento.
I heard him exclaim -- and this is verdad
"Merry Christmas a todos...Feliz Navidad!"
Tuesday, December 20, 2011
Clan-tastic!
Monday, December 19, 2011
Reconstructing Reconstruction
Many thanks to everyone who took time out of their busy holiday schedules to attend the "Reconstruction" exhibit opening reception at the Art Car Museum this past Saturday night. Every event I've ever been to at the Art Car Museum has been fun, and this one was no exception.
For events, because I want to look presentable, before leaving home, it often takes more than a few tries to figure out what to wear. This go around, by the time I had settled on something to wear, it was way past time to leave the house. Wouldn't you know it that the sweater I chose to wear was full of moth holes? Grabbing a needle and thread before we left, I undressed in the car and proceeded to sew up all of the moth holes in the sweater, in the dark, all eight of them. (I didn't notice the two holes near the collar until I was standing in the Art Car Museum gallery.) I finished as we were sitting waiting for a train, just this side of the railroad tracks from the museum, at which point I hopped out of the car, redressed, made some adjustments, jumped back in, snapped the seatbelt, just as the train passed and the protective barriers lifted.

Normally I don't worry about being a few minutes late, especially to a come-and-go event like an art opening, but several of our friends are thoroughly prompt, and because we had cast a wide net in inviting a lot of friends, it was slightly worrisome to be 15 minutes late. I certainly didn't want to miss anyone who came on my behalf! We hurried through the exhibit to find my piece, Still Life with Ukulele #1, reasoning that anyone who might have been there to see me would have been hanging around my painting. (?) If anyone came and went in that first 15 minutes, please accept my apology for not being there, yet.

As I've said many times, for being the fourth largest city in the nation, Houston really is a small town. The Amazing Reese ran into one of his dearest friends, who we haven't seen in forever, who was there on behalf of his girlfriend, who just so happened to have been an artist model in another artist's painting. Go figure. (That was a slightly corny, somewhat amusing artist joke. She was the model in a figurative painting....go figure. Get it?)

Good conversation with friends, new and old, only added to an already stimulating time.
Also, if you happened to come toward the end of the three hour event, we were exhausted and left 30 minutes before closing time. Again, my apologies.
For events, because I want to look presentable, before leaving home, it often takes more than a few tries to figure out what to wear. This go around, by the time I had settled on something to wear, it was way past time to leave the house. Wouldn't you know it that the sweater I chose to wear was full of moth holes? Grabbing a needle and thread before we left, I undressed in the car and proceeded to sew up all of the moth holes in the sweater, in the dark, all eight of them. (I didn't notice the two holes near the collar until I was standing in the Art Car Museum gallery.) I finished as we were sitting waiting for a train, just this side of the railroad tracks from the museum, at which point I hopped out of the car, redressed, made some adjustments, jumped back in, snapped the seatbelt, just as the train passed and the protective barriers lifted.
Normally I don't worry about being a few minutes late, especially to a come-and-go event like an art opening, but several of our friends are thoroughly prompt, and because we had cast a wide net in inviting a lot of friends, it was slightly worrisome to be 15 minutes late. I certainly didn't want to miss anyone who came on my behalf! We hurried through the exhibit to find my piece, Still Life with Ukulele #1, reasoning that anyone who might have been there to see me would have been hanging around my painting. (?) If anyone came and went in that first 15 minutes, please accept my apology for not being there, yet.
As I've said many times, for being the fourth largest city in the nation, Houston really is a small town. The Amazing Reese ran into one of his dearest friends, who we haven't seen in forever, who was there on behalf of his girlfriend, who just so happened to have been an artist model in another artist's painting. Go figure. (That was a slightly corny, somewhat amusing artist joke. She was the model in a figurative painting....go figure. Get it?)
Good conversation with friends, new and old, only added to an already stimulating time.
Also, if you happened to come toward the end of the three hour event, we were exhausted and left 30 minutes before closing time. Again, my apologies.
Friday, December 16, 2011
Reconstruction
Just in case you don't have enough to do this Christmas season, my piece, Still Life With Ukulele #1, will be in the "Reconstruction" exhibit at the Art Car Museum, with the opening reception December 17th, from 7-10pm. The Amazing Reese and I will be there. We'd love to see y'all.
Still Life With Ukulele #1 is made using metal office desk drawers, marble tiles, chain, magnets, and oils.
125 pieces of art will be in this exhibit, plus some art cars from the permanent collection. It's a fun event. The artwork on exhibit will be very diverse.
Exhibition will be on view until March 2, 2012.
This is an equal opportunity event. Everyone is invited. Bring friends.
Still Life With Ukulele #1 is made using metal office desk drawers, marble tiles, chain, magnets, and oils.
125 pieces of art will be in this exhibit, plus some art cars from the permanent collection. It's a fun event. The artwork on exhibit will be very diverse.
Exhibition will be on view until March 2, 2012.
This is an equal opportunity event. Everyone is invited. Bring friends.
Tuesday, December 13, 2011
Oh, the Christmas Tree!
Parts of me never grew up. Don't get me wrong. I AM a grown up and have grown up responsibilities and do grown up things, like eat a Snickers bar for breakfast just because I can (I AM a grown up), but for as long as I can remember, and this is going back to early childhood days when we lived in Centreville, Mississippi, I've "played with" our Christmas trees. The magic likely started when we would, as a family, traipse through someones pasture into the woods (with permission) and hunt for the perfect tree. We would then kill it, drag it back through the woods, tie it to the roof of the car, and like good taxidermy, mount it in the living room.
We lived in the parsonage in Centreville, my dad was the Presbyterian preacher, and the home provided to us by the church was vintage. Older homes in the South had enormously high ceilings to collect the hot air in the summertime, so that ladies could sip their "ice tea" and not have the ice melt before the tall glass reached their lips. It also meant that when going in the attic to retrieve the Christmas decorations, one would have to use a tall ladder just to REACH the attic stairs ladder. It was scarily thrilling to climb into the attic.
Plus, in that house, we kept the living room and dining room closed off to presumably save on heating and cooling bills, so putting the tree in the chilly living room only added to the wondrous mystery of Christmas for me. The tree drew me to it like a magnet. Ornaments, colorful lights, tinsel, and presents, oh, the presents, it was so exciting. I would re-arrange the lights, ornaments, pretty presents, and play with the tinsel, (nobody sells tinsel anymore) over and over and over.
The excitement of finding just the right tree and all the fun of decorating it has continued (for me) to this day. The Amazing Reese and our daughters have been amused, if not slightly annoyed, when, as a grown woman, I continue to play with the Christmas tree. The family joke is not if I'll do it, but when. But this year, THIS year, I have vowed to not rearrange one thing on the tree. My only delight will be to plug in the lights first thing in the morning, and say good night to the tree at bedtime when we unplug the lights. (Goodnight tree!) That's all. Nobody believes me. Hence this photo. Anna took a picture of the tree lights right after they were put on so that they can compare it to a photo of the tree at the end of the season....just to make sure I have not rearranged anything.

It's really not fair, because this is our first Christmas with Tilly, who doesn't seem to understand the word "no", and who thinks that the tree is her personal playground (a girl after my own heart) and who keeps collecting ornaments off the tree (look! new toys!) and subsequently eating them. (Aw, that poor angel is decapitated.)

Ah, but she seems to be enjoying the Christmas tree magic. I completely understand. Good girl, Tilly.
We lived in the parsonage in Centreville, my dad was the Presbyterian preacher, and the home provided to us by the church was vintage. Older homes in the South had enormously high ceilings to collect the hot air in the summertime, so that ladies could sip their "ice tea" and not have the ice melt before the tall glass reached their lips. It also meant that when going in the attic to retrieve the Christmas decorations, one would have to use a tall ladder just to REACH the attic stairs ladder. It was scarily thrilling to climb into the attic.
Plus, in that house, we kept the living room and dining room closed off to presumably save on heating and cooling bills, so putting the tree in the chilly living room only added to the wondrous mystery of Christmas for me. The tree drew me to it like a magnet. Ornaments, colorful lights, tinsel, and presents, oh, the presents, it was so exciting. I would re-arrange the lights, ornaments, pretty presents, and play with the tinsel, (nobody sells tinsel anymore) over and over and over.
The excitement of finding just the right tree and all the fun of decorating it has continued (for me) to this day. The Amazing Reese and our daughters have been amused, if not slightly annoyed, when, as a grown woman, I continue to play with the Christmas tree. The family joke is not if I'll do it, but when. But this year, THIS year, I have vowed to not rearrange one thing on the tree. My only delight will be to plug in the lights first thing in the morning, and say good night to the tree at bedtime when we unplug the lights. (Goodnight tree!) That's all. Nobody believes me. Hence this photo. Anna took a picture of the tree lights right after they were put on so that they can compare it to a photo of the tree at the end of the season....just to make sure I have not rearranged anything.
It's really not fair, because this is our first Christmas with Tilly, who doesn't seem to understand the word "no", and who thinks that the tree is her personal playground (a girl after my own heart) and who keeps collecting ornaments off the tree (look! new toys!) and subsequently eating them. (Aw, that poor angel is decapitated.)
Ah, but she seems to be enjoying the Christmas tree magic. I completely understand. Good girl, Tilly.
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